Very happy to see the latest review ofWHEN WE JOIN JESUS IN HELL in the super awesome Black Static Magazine. Thanks to Peter Tennant for the read and time! Here’s a snippet of what he said:
With its central concept of a once violent man who has been domesticated, but is prompted by circumstances to get back in touch with his inner beast, this novella reminded me of nothing so much as the Cronenberg film A History of Violence, though in the touches of arch-weirdness that litter the text – Fist trundling the corpses of his loved ones around in a shopping trolley, talking to them and pet lizard Bianca, his conversation with an artist who works with bodies – there is also more than a hint of the Lynch of Blue Velvet… At the heart of the story are questions about the nature of violence and how far we go before crossing a line. Fist’s dilemma underlines the failure of both society and the justice system, leaving a man to do what a man has got to do, if I’m allowed a cliché or two. It’s a powerful and affecting story…
Not too long ago I was blown away by Lee Thompson’s When We Join Jesus in Hell. What fully impressed me was not just Thompson’s amazing skill, but the fact that I truly enjoyed a style of writing that I tend to avoid. Normally, I’m a meat a potatoes type of guy and don’t have a lot of a time for…I don’t know, “pretty” words? But Thompson didn’t care about likes, he just said read it and like it, which I did. I’m thinking J.R. Hamantaschen went to the same school as Thompson, because he pulled the same shit on me with his You Shall Never Know Security, a collection of his short stories.
Also answered interview questions for Shock Totem #6, which will be out soon with a story by me and others, including that sexy mothereffer Jack Ketchum. Looking forward to when that issue hits the stands (and ereaders).
I’ll be the guest author for the month of January at the Horror Aficionado’s group on Goodreads! They’ll be reading and discussing my heartbreaking novella WHEN WE JOIN JESUS IN HELL. I’m very excited to participate and look forward to answering a bunch of questions. Thanks to Jason and Tressa for the invite! Come join us!
This novella has been turning heads. And it should. It’s wickedly subtle (not).
Well, it’s almost the end of 2012 and I’m having a hard time wrapping my head around what an incredible year it’s been. I may post this early. I will just post it today. Frees up the rest of my year to just read, write and spend time with family. I’ll add any big developments before New Years. There are probably a bunch of things I’m forgetting.
Last summer/fall, when my first novel (Nursery Rhymes 4 Dead Children) and first novella (Iron Butterflies Rust) came out, was a very surreal time. I had been striving to learn how to write well enough to sell my work for almost a decade. It was a relief to sign the contracts, to get my author copies in the mail and see them, to mail copies to my readers, to dedicate the books, to get some feedback and strive to learn more.
This year has been even better. I had a ton of work come out.
But it’s funny how we can roar but still feel like we aren’t doing enough. When I was talking to my buddy Shaun Ryan, which I do so much you’d think we were married, I remembered that I always feared dying young. Like I’d never make it to forty. I think it’s been in my subconscious, spurring me on to write every story taking up space in my heart as quickly as I can before the worms claim me, before the cold, damp earth is my pillow. I do want to leave something behind whether I die prematurely or whether I live as long as Ray Bradbury did. Something of substance, that has meaning for somebody other than myself. I don’t think it’s a lofty goal. I think all true artists, whether they’re successful or not, want to connect with other people and share the beautiful things they’ve seen, and the tragic times that have scarred them, and how the world has shaped them. As writers, or painters, or musicians we hold a mirror up to ourselves and the time we live in, and it’s not easy. We’re a very quiet voice that can easily be lost in a lot of white noise. But I see how important it is to try and keep trying. I’ve gained some wonderful fans. They might not know it but they know me through my work.
Narrator Matthew Stevens recorded my first audio bookNURSERY RHYMES 4 DEAD CHILDREN. We’ll also be working on the audio for the sequel THE DAMPNESS OF MOURNING after New Years.
I also had a local paper interview me, which was neat. Thanks to reporter Bill Petzold! That was a lot of fun and I found I enjoy being interviewed much more than I ever thought I would.
Some other highlights this year were meeting John Connolly, Lee Child, Michael Sears, Stanley Trollip, Les Edgerton, Michael Connelly, Michael Koryta and Sabrina Callahan at Bouchercon (The World Mystery Convention.) I don’t know that I would be the writer, or even person, I am, if not for the books my heroes have written.
Me and my hero John Connolly
Me and the awesome Lee Child
Some of my heroes (Tom Piccirilli, Jack Ketchum, Brian Hodge, Robert Dunbar) read my work in 2012 and gave me blurbs. Having your heroes read something of yours is one of the greatest feelings there is. It’s fireworks in your head and a sudden jolt to your heart. It’s quite dreamy.
Reviews, which I never get very many of, have really taken off this year. Especially on Goodreads, which is one of my favorite sites. I get to talk to fans on there, too, which has been wonderful. And one of the groups (Horror Aficionados) has invited me to be the guest author for January 2013. They’ll be reading my brutal novella WHEN WE JOIN JESUS IN HELL and we’ll all discuss it. Very neat, yeah? Thanks to Jason and Tressa for the opportunity!
Sales grow as my audience grows. Thanks so much to everybody who has been buying the work and spreading the word about it! Word of mouth is vital. It helps me when I feel like I can’t write worth shit and then I find a stranger who enjoyed something I wrote, which leads to me finding my balance again. To remember that, yes, I’m writing for me, but I’m also writing to connect with other people. It’s weird, but it’s good.
New novels… I wrote three novels this year (The Collected Songs of Sonnelion, The Lesser People, and The Wolverine) and got halfway through a fourth (Gossamer). I have ideas for the next ten books that will range between 70-90,000 words. All I have to do is write them. Easy. My goal is to write four novels a year. I tell myself to take it easy, don’t work so much, but it’s part of my nature. I am an obsessive and the work gives me purpose that life would be too depressing without sometimes.
I signed a three-book deal with Darkfuse/Delirium Books in December. I’m very excited about it since Shane Staley has been awesome to work with and he publishes what he believes in. I’m writing and turning in a standalone novel every March, which works out great too because I have a ton of novel ideas and nothing for novellas or short stories lately.
Since I am quite prolific when it comes to novels, and I write more than just Dark Fantasy, I’ve decided to use several pseudonyms. I’ll keep the Dark Fantasy under my name. Have the name Thomas Morgan for Heartbreaking Coming of Age tales with a Historical Thriller slant; James Logan for suspense fiction that is very tightly plotted but has more hopeful endings than all my other work; Julian Vaughn for novels that are more big-concept with a lot of heart/more touching than horrific.
I had a writer I met at the World Mystery Convention (Les Edgerton) refer me to his agent for the pen-named work after he read WHEN WE JOIN JESUS IN HELL. That was really nice of him and whether it works out or not, him trying to help me counts for a lot. I’m really not worried about it since all of my worry is that the books are what I want them to be.
I got to interview a bunch of my favorite writers here. They are amazing.
I sold a couple of short stories. The River to my favorite mag Shock Totem. It will be in issue #6 along with Jack Ketchum and interview with me! And The Most Mysterious Silence sold to Nameless Magazine, owned by Jason V. Brock who made a great documentary about Charles Beaumont.
Not the Final Cover
Tuesday’s Training, my weekly writing advice essays for novice writers, has been a lot of fun. I know it’s helped a few people. That’s nice. I had help too: from things I’ve read, questions I asked answered by people far busier and far more experienced than I am, and help just through the encouragement that comes in something as simple as a smile.
Thanks to the publishers who have put their faith in me, the writers who encourage me, the pre-readers who help so much by offering feedback I can’t come up with on my own, the fans who help pay my bills and continue to come back for more of my work. 2013 is going to be an even more incredible year, which is really hard to fathom. But it will be. What a life. Thanks for helping me live my dream! Now go buy all my books for your friends for Christmas!
I’ve been invited by Jason and Tressa asJanuary’s Featured Author for the Horror Aficionados Goodread’s group. The group will be reading and discussing my novella WHEN WE JOIN JESUS IN HELL. I’m very much looking forward to interacting with those passionate cats and answering questions anyone might have! Thanks to Jason and Tressa for the invite! If you’re on Goodreads join the group. I’m hardly ever there because I’m a workaholic but I’ll be checking in everyday in January!
Also saw the covers forShock Totem #6, which is my favorite speculative magazine! I have a Division story (The River) in this one that takes place betweenNURSERY RHYMES 4 DEAD CHILDRENandTHE DAMPNESS OF MOURNING. I like it and they bought it and you can read it! Everybody wins! Looks like a fun group of authors (plus one of my heroes, Jack Kethcum!) in this issue and I can’t wait to read it.
Ken Wood from Shock Totem will also be interviewing me, too, in issue #6! I’m very much looking forward to that because I’ve had so many exciting things happen, and have learned so much, in the past year.
I signed a three-book deal with Darkfuse/Delirium Books. I’ll be handing in a standalone novel every March for the next three years. Fun! I’m working on the first now (Gossamer) and think it’s going to be a freaky novel. Gotta get back to work on it so I bid you adieu.
And join me March 29th from 9-10pm EST on Darkfuse’s website for a live interview. I’ll be taking questions, share things about the Division Mythos, plus my publisher is doing a great giveaway you don’t want to miss!
Grendel by John Gardner (Thanks, Rook! It is an awesome, funny and sad story.)
Only Child by Jack Ketchum (Brutal. Plus I’ll have an interview on here with him soon as I get the photos from his publicist.)
Handcopying Jack Cady’s The Well to learn some more. About fifty pages in.
Brian Hodge’s Falling Idols. About 80% done. Terrific collection.
Speaking of Hodge, go check this. He always has amazing insights for a writer to add to their arsenal.
In the last year and a couple months I’ve sold five books to Delirium/Darkfuse, and it still blows my mind. Dave Thomas just interviewed me on their website, which was a lot of fun, and I reveal some secrets. Have a gander.
Also neat to see that Goodreads has a feature that lets me list the Division mythos on my author page. It’s going to be pretty amazing to watch that fill up with all 13 books in the next few years.
Glad I stumbled across that. I learn something new every day.
#2: Susan made some good points (something she does a lot, so I’ve incorporated them like a wise bunny). I’ve updated my Goodreads page with blurbs and whathaveyous. If you have any questions about books you can ask on a book’s discussion forum (and I’ll give answers if I like you.) Each book has one at the bottom of the page, I think. If not, shoot me.
"10 out of 10 Stars... GOSSAMER: A TALE OF LOVE AND TRAGEDY will blow you away my friends. It is that good." -- Peter Schwotzer/Famous Monsters of Filmland.
"WHEN WE JOIN JESUS IN HELL is as crazy as its tormented protagonist. Hard as nails." -- Jack Ketchum, author of The Woman.
"Lee Thompson knows his horror-noir. He fuses both genres together in the turmoil of terror, tragedy, blood, guilt, and lost chances at redemption."--Tom Piccirilli, author of THE LAST KIND WORDS
"The Dampness Of Mourning is taut, tough, and terrifying..." -- Brian Hodge, author of Picking The Bones
“The Dampness of Mourning is a riveting thriller." --Midwest Book Review
"Thompson’s voice is his own — strong, hypnotic, and unsettling--grabs you by the balls and rips them right off, breaking your heart and your psyche in the process.” -- Brian Keene, author of Ghoul, Dark Hollow and The Rising
"Brooding, soulful, haunted." -- Robert Dunbar, author of Willy and Martyrs & Monsters